Julius Zeyer, Decadence, Theurgic Symbolism, Idea of Synthesis, Synergy of Aesthetic and Religious Spheres.

Studie je věnována analýze esteticko-filozofických koncepcí významného českého spisovatele konce 19. a počátku 20. století - J. Zeyera. Pozornost je zaměřena především na sovislosti Zeyerovy tvůrčí koncepce "obnoveného obrazu" s tvůrčím a myšlenkovým směřováním literárního symbolizmu.

The study focuses on J. Zeyer. The attention is predominantly paid to his creative way to modern art. The author of the study concentrates on formation of Zeyer?s aesthetic-philosophical system, which, in context of West-Slavonic literatures,represents gradual heading from decadent-symbolic aesthetics to broader transcultural syntheses. Above all, we follow gradual and fluent evolution from the concept of autonomous model of beauty to the principal of teurgy, which understands artas a cosmogonic power. In Zeyer?s work of art this synthetic art concept was fulfilledmostly thanks to his original creative method - method of ?renewed image? which is a connection of three art levels, respectively three types of imagination, permeating each other. These are represented by direct reflection of reality, and world of philosophical ideas and mythical images, finally by world of author?s inner visions.These three types of imagination create a complex image of the world, which corresponded to the idea of symbol or symbolization process for a number of symbolic poets.