"idea", "light" of knowledge, incarnation in the "word", antinomy, noosphere, exactness of "external thinking", pneumatosphere, "poetic theology", verbum interius, verbum cordis, sofianity, "synesis pneumatike", humaneness, conscience, sense of art, truth of being, "the soul of the world"

Metodologickým centrem stati je vedle "světelné metaforiky poznání" i antinomie ?interpretací? jevů umění: opozitou intence k eidologické exaktnosti "myšlení vnějšku" (jako výronu "prázdna nitra", teoréma M. Foucaulta) je reflexe duchovědná. "Nitro" tvůrce díla, místo - "světlina" jeho "duše", promlouvající "řečí srdce" (verbum interius - verbum cordis sv. Augustina), je zdroj umění i "univerzální aspekt hermeneutiky" (H.-G. Gadamer) = konsilience v aktu tvorby i jeho exegezi "noosféry" ("architektonická schopnost intelektu") i "pneumatosféry" ("duchovní zření").

Returning to the knowledge of the past in the art of interpretation initiates a search for the milestones of its evolution, and stimulates the intellectual dimension of the modern humanistic-scientific exegetical paradigm, i.e., the consilience or reconciliation of "Eastern wisdom and Western spirit" (O. Březina). The uncovering of the mystery of the gift of creativity and the transformation of art is aided by the "light" of knowledge: the "idea"; the "idea" ("the light of the soul"), metamorphosed by the "divine imagination" into "words" (the transmitters of ideas), finds its expression in the transmutation of art as the efflorescence of the "spirit" of a creative individual. Understanding art through "words", the act of interiorization ? immersion beneath the "surface" of images and events to reveal their "inner form", and the morphogenetic "spiritual sense" ("apparent" and "hidden", "spoken" and "unspoken") of phenomena and the "truth", the substance of being (Ding an Sich) revealed to us by means of words, is the prevailing course of modern "techne hermeneutike".