Russian symbolism; Andrej Belyj; symbol as picure of the visible reality; symbol as an allegory expressing the ideological meaning of the picture; symbol as an appeal of the creation of the real life; world of sound symbols

Ve statri jsou analyzovány tvůrčí experimenty ruského symbolisty A. Bělého se slovem. Jeho esteticko-filozofická koncepce byla ovlivněna vedle učení V. Solovjova i teoriemi R. Steinera. Jádrem těchto koncepcí je hledání skrytého smyslu řeči, tj. hledání skrytých souvislostí mezi tzv. "vnitřním slovem" a jeho vnější zvukovou podobou a z toho vyplývající rovnováhy mezi živelností a duchovností.

According to aestheic theories of Russian symbolist A. Belyj every real art is in its deepest essence a symbolic one, it represents an organic connection of two orders - phenomena of the inner world and the living consciousness. The connection is thus the union of the inner and outer world. Its sense can be unveiled in metaphysics and mystic, the indexes of the way to a complex re-structuring of the human being and discovering new forms of existence. The essence of the symbolic expression consists of the words, through those the creative human strives to express his inexpressible impressions in a logical way. The living speech is thus always certain music of inexpressible. The creative word constitutes new, third world - the world of the sound symbols. The relationships between the sounds and evolution of the Cosmos is formulated in another essay Glossolalia, poema o zvuke (1922).