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Record type:
kapitola v odborné knize (C)
Home Department:
Katedra teorie a dějin umění (50310)
Title:
Exhibitions as Temporary Homes: Living in The Public Gallery as Artistic Practice
Citace
Štroblová, K. Exhibitions as Temporary Homes: Living in The Public Gallery as Artistic Practice.
In:
P. Sparke, J. Scholze, P. Kirkham et al. (eds.).
Exhibition as Interior, Interior as Exhibition: Spaces of Display within and beyond the Museum and Gallery.
1. vyd. London: Bloomsbury Publishing, 2025. s. 115-124. ISBN 9781350449763.
Subtitle
Publication year:
2025
Obor:
Form of publication:
Elektronická verze
ISBN code:
9781350449763
Book title in original language:
Exhibition as Interior, Interior as Exhibition: Spaces of Display within and beyond the Museum and Gallery
Title of the edition and volume number:
neuvedeno
Place of publishing:
London
Publisher name:
Bloomsbury Publishing
Issue reference (issue number):
1.:
Published:
v zahraničí
Author of the source document:
P. Sparke, J. Scholze, P. Kirkham et al. (eds.)
Number of pages:
10
Book page count:
216
Page from:
115
Page to:
124
Book print run:
EID:
Key words in English:
Exhibition; Interiority; Performance; Participation; Heterotopia
Annotation in original language:
Exhibition design has long been studied in the fields of art, design and architecture, but the focus has been on the design of the exhibition narrative, rather than the design as interior space. This book breaks new ground, exploring the complex relationships which exist between exhibitions, museums and galleries and interior design.Taking a case-study-driven approach, chapters explore a wealth of spaces; looking at contemporary art galleries and globally-renowned museums, and also subverted spaces like squatted homes, high-rises, distilleries and laboratories. Their geographic coverage ranges from socialist Eastern Europe to the US, stopping via many other countries such as Germany, Croatia, Australia and the UK.These case studies rethink how exhibitions interact with their spatial surroundings, with key themes including the role of labour in creating these spaces, the dualism of public and private space, the impact of exhibition audiences and reception, the political implications of exhibitions and the influence of institutions.With an interdisciplinary range of contributors, and combining a historical and contemporary outlook, this is a must-read for anyone designing or curating design-driven museum spaces.
Annotation in english language:
Exhibition design has long been studied in the fields of art, design and architecture, but the focus has been on the design of the exhibition narrative, rather than the design as interior space. This book breaks new ground, exploring the complex relationships which exist between exhibitions, museums and galleries and interior design.Taking a case-study-driven approach, chapters explore a wealth of spaces; looking at contemporary art galleries and globally-renowned museums, and also subverted spaces like squatted homes, high-rises, distilleries and laboratories. Their geographic coverage ranges from socialist Eastern Europe to the US, stopping via many other countries such as Germany, Croatia, Australia and the UK.These case studies rethink how exhibitions interact with their spatial surroundings, with key themes including the role of labour in creating these spaces, the dualism of public and private space, the impact of exhibition audiences and reception, the political implications of exhibitions and the influence of institutions.With an interdisciplinary range of contributors, and combining a historical and contemporary outlook, this is a must-read for anyone designing or curating design-driven museum spaces.
References
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